Showing posts with label Elsa Dreisig. Show all posts
Showing posts with label Elsa Dreisig. Show all posts

Monday, 27 January 2025

Happy Birthday Wolferl!

Today is the birthday of of Wolfgang Johannes Chrysostome Amadeus Mozart, aka Trazom when he signed his documents, aka Wolferl as he was called by his family, aka that kid from Salzburg, aka the greatest composer who ever lived. And my favourite. I have been listening to his music all weekend and will obviously listen to his music more today, non stop. To celebrate on this blog, I have decided to share the sextet from Cosi fan tutte. I came to Mozart through his operas, so it makes sense that I use them toc elebrate him. I think this one shows very well Mozart's virtuosity and art. It's dynamic, it's funny, it's joyful, it's gorgeous, so it should put you in a dreary January Monday.

Friday, 27 January 2023

Mozart and his birthday

Today is a seminal date for music and music lovers. Because it is of course the birthday of Wolfgang Amadeus Mozart. Incidentally my favourite composer. I celebrate listening to his music, I mean more than usual, particularly his operas, because it is how I truly discovered Mozart and this is how his music found a way to my heart. I also read books about him, fiction or biographies, or simply essays. On the reading this list, starting today is Mozart and his Operas by David Cairns, a present from my wife. But there are others I will reread. I might do like last year and spend a lot of time on social media today, exchanging reading suggestions about Amadeus. I would not end my post on Mozart without one aria to share. This year, it is from Cosi fan tutte,sung by Elsa Dreisig. I hope you enjoy.

Thursday, 14 October 2021

Elsa Dreisig et l'Air des Bijoux

Je sais que j'ai déjà partagé sur ce blogue et pour l'Halloween l'Air des Bijoux de Faust de Charles Gounod. En 2015, pour être précis. Mais je veux mettre plus de musique pour l'Halloween, d'une aprt, et Faust est un opéra halloweenesque. Et je suis tombé sur cette interprétation de la soprano Elsa Dreisig qui est rien de moins que magnifique. Elle fait une parfaite Marguerite, enfin elle est Marguerite comme je l'imagine. Et pourquoi cet aria pour un billet musical de l'Halloween? Parce que ça a une dimension sinistre. Comme je le disais dans mon billet de 2015: "sachant à quel prix Marguerite paiera les bijoux ultimement, il y a une dimension particulièrement macabre à un air qui dans un premier abord semble éclatant et sensuel." J'ajouterais que parfois le Mal et l'horreur se manifestent d'abord dans la lumière.