Showing posts with label Rod Gilfry. Show all posts
Showing posts with label Rod Gilfry. Show all posts

Saturday, 31 January 2026

Majestic Mozart

Well, it is still Mozart Week, so I am sharing more of his music. And a statue of Mozart himself: the one you can find in Vienna. It is often surrrounded by tourists, who just take pictures of it because, well, Mozart is a huge part of Vienna and Austria, maybe its most famous composers. And I was there as a pilgrim, a proper worshipper in fact. That said, like many other portraits and monuments to the man, I find this one strange at many levels. He looks atypically regal and Greco-Roman godly here. Maybe a tad Messianic too. As much as I'm a sucker for the monuments paying homage to him, I can't help but find them incomplete. There's a lot of Amadeus in this statue, but very little of Wolfgang, even less of Wolferl. There's no mischief. Anyway, this post would not be complete without a bit of music, here an aria from from Le Nozze di Figaro. Sung by Rod Gilfry. Tell me what you think of the music and the statue.

Wednesday, 1 June 2011

Reading a libretto in Italian

I do something these that gets me quite proud: I read the libretto of Don Giovanni by Lorenzo Da Ponte. I found it in a used bookstore in Montreal, in a bilingual edition, French and original Italian. Nothing outstanding here, I used to read the libretti of operas sometimes just before I listened to the whole thing. But here is the thing: I discovered that I barely need the translation. Maybe it is because I have listened and watched the opera a million time, but I do think it is also because I am finally getting into the language itself.

All linguistic pride aside, it is an interesting way to experience an opera without the help of the music. Even without Mozart, I am amazed about how much poetry there is in the lyrics and how brilliantly defined are the characters. Oh, and just for kicks, here is a bit of Don Giovanni, without the subtitles. Finch ha d'al vino sung by Rod Gilfry. I tried singing it a few times. This aria is pure torture for a singer. It is also the first I heard of this opera and it got me hooked.